行尸走肉第十季

The Walking Dead Episode Insider - "Splinter" / 行尸走肉单集解析 - “屑”仅供英语学习交流，请勿商用翻译：Bruce 这一集叫做“屑”，且发生了相关的事情。

某种意义上说，Princess被扎了一片实实在在的木屑，这片木屑触发了所有相关的记忆且在视觉上迷幻了她现实世界。

“屑”同样指木片一下子碎片化了现实世界的故事线，意思是，像是，她内心的黑暗且她用想象出来的外来力量来克服它。

这一集的大部分发生在一节列车厢内部。

但是我们真的找来一段里面有东西的火车，然后他们在那节作为舞台的车厢里放了点道具，这样一来也让摄影机方便一些。

你可以把车厢里面排排气，好让在这狭小空间里的演员和摄制组不那么闷。

该集的一大挑战是要让车厢里看上去不那么闷小，你知道，因为厢里实际上没太多事情发生。

在这样的一集，基本就是princess的个人视角了，以至于我觉得大部分得益于Paola的表演了。

我认为她做的很棒。

她是那种对喜剧元素可以相当娴熟地把握得当，而又可以演绎人性黑暗与脆弱面的很少见的演员。

请她演的时候，她演了很多愤怒出来。

就在那些她开始语塞进而开始抗争的时候，我认为，从内心深处这个角色真的是，真的是不得不与她的人生抗争；我也真的很喜欢这种把她的层面剖开的方式，展示出她并不是一个简单的的大大咧咧的公主（princess）。

这表现的下面真的是人性深处的她，即她不得不历经很多苦痛去找到她在哪儿。

且我认为在演绎这个角色上，Paola做的真棒。

这集里的Ezekiel并不全像真正的Ezekiel，且当读到剧本时Khary也有同感。

越看故事你就越觉得这个Ezekiel就越跟他应有的样子不一样，这里的他很有点像是她肩头上的魔鬼。

那是她内心里的冲动，担当这个角色让Ezekiel显得很有趣，因为你知道，我们知道Ezekiel的仁爱和富于谋略。

但是你也要知道，我们想在princes的幻化世界里展现– 一个人的样子可以比他本来的样子更加丰富多彩。

但，你知道，她也不算太了解他们。

我们想，我们得讲些关于这个队伍和这些兵的故事，且得详细烘托和刻画一下。

很显然本集有些点没有明确交代，比如，这一行人究竟被怎么处置了，是不是真有她想的那么糟糕。

有些地方特意渲染了，比如，“这些家伙真渗人”，又如，“看看他们这些疯狂的铠甲”，当头盔被摘下来时，你发现在你面前就是一个活生生的人，然后突然地，所有事情都觉得有点不一样了。

但是与此同时，但是，你知道，我们就是想表现出，这确实是一个有规矩的地方。

我们觉得刚开始多多少少跟这个队伍接触，当刚刚看到一点渺茫的希望的时候，深入到princess这个角色的内心深处是一件很有趣的事。

关于这个队伍的事情，一旦我们进入新一季，后续还有更多。

执行出品人/节目运行人 Angela Kang

英文原本：This episode is called “splinter”, and there’s a couple things going on there. Princess gets an obvious literal splinter and in some ways, that splinter triggers all these other memories and alternateversion of reality that’s happening. “splinter” also refers to just that splintering of the story line into something that is an objective reality, that’s, like, sort of dark for her and just the way that she is coping with it by imagining that something else is going on. Most of this episode takes place inside a train boxcar. And we don’t do a lot of stuff, that’s just kind of in one location, largely, it’s challenging to shoot in a smaller space, but we had a real train car that was the exterior stuff with the train car, and then they created a set of that boxcar on stage, and then they created a set of that boxcar on stage. The majority of what you’re seeing is actually a set, and that way there was a little more flexibility in terms of shooting. You can kind of air out the space, so that the actor isn’t, like, literally trapped with crew inside this tiny, little box. One of the challenges of the episode was to make it feel like it’s not too confined, you know, ‘cause there’s not, like, a lot that’s going on inside the boxcar itself. With an episode like this, it’s so strongly in princess’ POV that I think a lot of the episode rests on Paola’s performance. I think she does a wonderful job. She’s the kind of rare actress that is legitimately incredibly funny but can also play that kind real vulnerability and darkness. When asked of her, she shows all of that range here. There’s just these moments where you see her start to choke up and then she just, she pushes it aside, and I think that, that’s very, very much at the heart of kind of what this character’s had to do to cope her entire life, and I really love, like, kind of getting to peel pack some of those layer of her, and see that she’s not just all about big-personality princess. There’s a real deep human being that’s under there, that has had to go through a lot to kind of get where she is. And I think she did a really wonderful job portraying that. Ezekiel in this episode is not entirely like Ezekiel, and Khary had sort of the same reaction when he read it. Like the further you get in the scene, the less it starts to feel like the Ezekiel we know which is by design. it’s definitely like Ezekiel here is a little bit like the devil on her shoulder. It’s that impulsive side of her, Ezekiel is an interesting person to use in this role, because you know, we know Ezekiel to be humane and strategic. But you know, we wanted to just show that in princess’s active imagination. People can take on a more colorful way of being than they are. But, you know, she also doesn’t know them very well yet. We thought, we have to do some sort of story related to this group and the troopers , and feel like what the vibe of it is. It’s obviously unclear in places in this, like, how much of that was what they really went through and how much of it was her picturing the worst. There’s definitely this vibe of, like, “these guys are scary.” Like, “look at these crazy suits” you take your helmet off, and then you have to look in the eyes of a real human being, and suddenly, everything feels a little bit different. But at the same time. But, you know, we wanted to just show, there’s clearly a manipulation going on there, as well. We thought it was a really fun way to get deeper into the character of princess while just giving some little slivers, of a, of a taste of who this new group is, and there will be a lot more to come. Once we get into the new season.

又退了一个主演，剧太长就是有这样的痛苦。

这么一想SPN真的很难得，三个主演都一直坚持到了最后。

e13钻心剜骨的程度让我相信amc还没有丧良心（bushi，像是Maggie独白的一种延伸和充实，为刀女完美句号。

it's hard to meet someone，it's hard to meet anyone.we are here for a million of reasons，we are here for only one reason.it's because that i chose to not walk away.之后的万人联邦和22年的电影都很让人期待，希望电影能让我坐在电影院里哭个天昏地暗。

毕竟当年抱着一百万的期待去看魔兽，虽然喜欢但并没有觉得它真的做好了诠释，说好的三年一部也没有了后文，前车之覆啊。

这样子的电影经常被指责是情怀片，没什么意义，但其实情怀的意义已经很了不起，没意义的是消耗掉情怀，只好翻个白眼自叹韭菜（比如星战的一系列狗尾）。

TWD的影版架在已经完结的十一年上，加之尚在努力的行尸之惧、传言会推出的更多衍生剧需要之辅助，相信不会跌七点五（不会吧，不会吧不会吧，amc你不会这样子的对吧真的好爱好爱TWD，虽然三天两头虐得我吼叫，还是很庆幸——是的庆幸，自己曾经坐在那张椅子上，为它张大了眼睛。

已经迫不及待要重新从第一季看起——我没办法回到那个下午了，但rick可以再次回到有shane和薯条的车里，carl会重新长大，negan还是所有人的爸爸，Ezekiel的shiva会再次吓大家一跳。

glenn对坦克里的陌生人说dumpass，监狱依然是希望。

关于TWD的情怀文字我已经写了太多，要是从头算起可能十万字都不在话下。

花了小半个前半生在看它，还有剩下的all years ahead。

there will be a new world.

The Walking Dead Episode Insider - “One More” / 【行尸走肉】单集解析 - "再一次"仅供英语学习交流，请勿商用翻译: BruceGabriel: “再找一次。

” Aaron: “我... 我找不动了。

”这一集是关于Aaron和Gabriel的，他们在为社区寻找食物的路上屡屡受挫。

每找一回，他们都面临令人想要放弃的苦楚，但，他们仍要举步前行。

我也感觉这集里以一颗装进膛的子弹进行俄式转盘赌博的一幕，是一段精彩的演绎。

那颗子弹会分裂他们吗，甚至毁掉他们原有的样子吗？

这是让我感到非常有趣的一集，剧本的编写引人共鸣，所以，在这个意义上，通过我们这两位主角眼中的视角，这一集绝对展现出很多内容。

他们跋涉而来，所经之处是这么令人感伤，感伤这世界遍布疮痍，以至于不管你去哪儿，不管你看什么，都是毁灭的画面，但仍然，也还是有美丽的事物在其中。

他们看到这成为烧焦骸骨的一家，也看到花儿在骸骨上蜿蜒生长。

Aaron: “我想我女儿，我知道你也想你女儿。

”在他们目之所及的各种场面里，家被一遍遍地重复。

且你会想，对于他们两个，这真的会影响他们的一些处世之道，如何继续过活。

作为Alexandria的头领们，确保他们家园的安全，对他们两个变得是那么的重要。

我们有意把这集做的有趣一些。

我想，你知道，我的编剧，Jim和Eric，在平衡他们所处环境的严肃性与他们彼此的诙谐轻佻上，做的非常精彩。

这所有的情景之下，他们并肩同行，想要达成的目标一致，且能彼此取笑一下，且还能自嘲一下。

我认为，来点背道而驰的感觉，像是你在这集里看到的某种黑暗的东西，这真的很重要。

这集主要内容的一部分是，这两个人，他们喝醉了，我想，感觉像是，那真的，真的是人本性的冲动。

正像现实世界里我们正在历经的瘟疫中一样，像是，人们想要寻求一个能够从中摆脱出来片刻的地方。

这二人开始对一些他们正在思索的东西诚实起来。

Seth Gillam（Gabriel扮演者）把这段独白表演的很精彩，一气呵成。

一般人很难像他这样一口气演下来，片场上，就这样地，贯穿表演始终。

他抓到了在那个情境下所有的应有的小细节，且你真能看得出那时那刻他头脑中的想法。

Gabriel: “我再也不想布道了。

” Aaron: “为什么？

” Gabriel: “你真认为这世界正在变回跟过去一样吗？

”这是一个我认为已经走了好长的路的人（Gabriel）。

且所以，看到他在对于信仰和人与人的关系之于他的意义上身心疲惫，这真的让人觉得，有点宽慰；但他也说：“我觉得那不关我的事儿了。

”Gabriel: “恶人并不是对于规则的例外，他们本身就是规则的一部分”这是一个大胆的论调。

且我认为一度上Gabriel可能已经开始那么做了。

但看到他自己里面，也在别人里面的黑暗，我觉得他内心的一部分在想：“或许我没有资格担当上帝的使者，因为我不相信我能在他的造物中再看到善良了”Mays出现了，还拿着一把大枪，你知道，这可是Robert Patrick，能请他来演让我们这么，这么激动。

饰演这个角色且表现出该角色的凶险恐怖对他来说很轻松，他就是能把那种你一眼就看得出不好招惹的煞气给演出来，太棒了。

Mays想让他们玩这种俄式轮盘赌博的游戏，但当你以看到该集的结尾，你会知道显然这是一个让他弟弟也玩这游戏的人，且弟弟开枪打死了他自己的家人，然后，被当犯人关起来，似乎就这样度过余生。

从Mays的角度来看，人的天性就是为了能让你作为一个个体活着而去做自私的事情。

他对这一点深信不疑：当他把抢拿给这两个看上去要好的两个人时，他们最终会把枪口转向对方。

Mays有点像是，像是，在观察这个事情，随后因为情况并没有朝他预想的方向发展而变得愈发沮丧。

这撕裂了他的整个世界观。

Gabriel: “为了证明人有多邪恶？

这就是你想要的？

你认为我会射他，或者他会射我？

”在他（Mays）心里，你知道，他认为Gabriel依赖这这本书，这本他认为很蠢的圣经，作为精神支柱。

但对于Gabriel，他从圣经里领悟到的是“有光在那里”。

无论发生何事，无论有多黑暗，仍有神启在那里。

（注：该句中的光与黑暗出于圣经经文，此处翻译仅供参考）Gabriel: “我们能帮你！

” Mays: “我不相信你”Gabriel说的是实话吗？

其实完全就是虚张声势。

所以，我们或许再也无法知道Gabriel到底是不是笃信他所讲的。

所以，或许Mays是对的，因为Gabriel撒了谎，而且杀了他。

执行出品人/节目运行人 Angela Kang

英文原本：Gabriel: ”one more.” Aaron: ”I... I can’t.”This episode is about Aaron and Gabriel, on this grinding mission to find food for their community. At every turn, they just are faced with obstacles that make them want to stop, and yet, they have to keep going. I also feel like it’s a nice representations of, like, there’s this one bullet in the chamber for the Russian roulette scene. Is that bullet gonna be the thing that breaks them, and breaks who they are? It’s just an episode that I think has really interesting, evocative writing, in that way, so, this episode definitely has a lot in the way of these visuals that our two character see. They come across these places, and there’s just this sadness to that, that the world is so broken that, everywhere you go, what you see, are just images of destruction, but yet, there’s also beauty in that. They see this family of charred skeletons, and there’s flowers that are growing up through the skeleton. And there’s flowers that are growing up through the skeleton. Aaron: “I miss my daughter, I know you miss yours, too.”Family is just repeated over and over again, in these various tableaus that they see. And I think, for the two of them, this is really gonna shape some of their approach to the world, going forward. Making sure that their home is safe, becomes that much more important for both of them, as leaders of Alexandria. We intended for the episode to be funny. I think, you know, my writers, Jim and Eric, did a really great job balancing both the seriousness of some of the situations they’re in, as well as the levity that they find in that. These things are vicious, underneath all of it, they’re on the same team, they want to get the same thing done, and they can make fun of each other a little bit, and make fun of themselves a little bit. I think that that’ really important, to kind of cut against, like, some of the real darkness that you see in this episode, too. Part of the centerpiece of this episode is, these two guys, they get drunk, and I think, like, that’s a very, very human impulse. Just like the real pandemic that we’ve been living through, like, people want to find moments in there, where you can just unwind from it all. These guys start getting kind of honest about some of the things they’re thinking about. Seth Gillam does this beautiful job in this monologue. And that’s all just done in one take. It’s so hard to pull something off like that, where, just, throughout the performance, where, just, throughout the performance, he captures all these little moments that are in there, and you really get a sense of the thoughts running through his head. Gabriel: “I don’t want to preach anymore.” A: “why?”Gabriel: “Do you really think things are gonna go back to the way they were?” Here’s this person that I think has come a really long way. And so, it’s really, like, lovely to see him, be vulnerable about what faith and human connection meant to him, but to also see him say, “I don’t think that’s for me anymore. ” Gabriel: “Evil people aren’t the exception to the rule, they are the rule.”that’s a bold claim. And I think that Gabriel might have started off in a place like that, at one point. But seeing the darkness within himself, as well as within others, I think there’s a part of him, that thinks, “maybe I’m not a worthy vessel of God, because I don’t believe that I see goodness in his creation anymore” He(MEI) comes out, and he’s got this big gun, and you know, it’s Robert Patrick, who we were so, so excited to cast. He’s just got this real easy menace about him, and the way he inhabits this role. He can just play that gravitas where you just know, from the first minute, this is not somebody to be trifled with, and that’s great. Mays wants them to play this Russian roulette game, but once you get to the end of the episode, you realize this is a guy who clearly made his brother play the same game, and the brother shot his own family, and then, was kept as a prisoner for, like, the rest of his years. From May’s perspective, human nature is to do the selfish thing that helps you survive as an individual. He fully believes that, when he gives that gun to these two guys who act like they’re friends, they will ultimately turn the gun on each other. May is kind of, like, watching this, and gets increasingly frustrated by the fact that the game didn’t go the way he thought it would. That rips apart his entire worldview. Gabriel :”to prove how evil man is? Is that what this is about? You think I’m gonna shoot him, or he’s gonna shoot me?”In his mind, you know, he thinks Gabriel is relying on this book, the Bible, which he thinks is stupid. For Gabriel, what he takes from the Bible is that there is light. In spite of anything else that’s in there, in spite of the darkness, there’s a message in there. Gabriel: ”we can help you” Mays: ”I don’t believe you”Is Gabriel even telling the truth? The whole thing was a bluff. So, we sort of don’t know whether Gabriel even fully believes the things that he’s saying anymore. So, maybe Mays is right, because Gabriel lied, and killed him.

剧组没钱，演员跑路，戏是跟着演员的变化一路瞎扯。

前六季能看到末世对人性的坚守与拷问，还很刺激。

后几季演的什么玩意儿？

熟悉的性格饱满的都快死光了。。

所有人拿棍子，小拽女开枪玩？？？

一群人围着让贝塔跑了。。

你们是认真的？？？

卡妈基本是神经病，神坑队友，确定一直出外勤？？

求求阿尔法，带着丧尸大军把这群人灭了吧！！！

回想起来，当尼根当着玛姬的面砸碎了格伦的头，本剧也达到了新高潮，堪称全球关注，原以为玛姬会逐步取代瑞克，后续剧情将更加激烈和出彩，没想到却是最后的绝响。

瑞克消失了，玛姬没接上，这个九死一生凝聚起来的团队的魂也没有了，精彩程度基本是直线下降，到了第十季，算是彻底烂尾了。

第九季低语者出现，感觉这支狡诈凶残的与行尸为伍的高危人类团伙，会激发起几个松散团队的同仇敌忾和强大斗志活力，结果事与愿违，这个没有灵魂的团队继续四分五裂，停滞不前了。

第十季连低语者都不叫了，直接就是尸皮人了，一群喜欢混在僵尸群里玩耍的毫无追求和目的的野蛮原始人。

这个设定很脑残，尼根团伙好歹还有统治奴役其他人群的动机，尸皮人似乎除了要讨回女儿，划定边界，然后快乐的扮僵尸转圈圈，似乎也没别的追求，这很奇怪，成天戴着尸皮图个啥？

理论上，辛苦扮僵尸的目的就是为了以后不再戴尸皮，要过好日子，可变态女头领的意思是只有披着尸皮在尸群中生活才代表它们的风格和特色，这真是戴尸皮戴出感情了。

瑞克团队既然知道这帮尸皮人是群残忍变态狂，那就应该放弃和平共处的幻想，主动出击，消灭尸皮人。

可惜大家似乎对这种虚假脆弱的和平很满意，刀女、卡萝尔、弩哥也都撑不起来局面，再加上一群娘炮同性恋，剧情上动不动就是抒情伤感哀叹，连弩哥都被传染的多情善感了，尼根也快被感化的立地成佛了，这队伍确实该完蛋了。

又是一部追了十年的剧。

从开始的封神，到中间几季的浮浮沉沉，如今已经味同爵蜡，真的只是单纯对自己追剧青春的不舍，强忍着1.5倍速在看十六集之后。

编剧看来已经黔驴技穷，因为玛姬的回归，稍微燃起了一点希望，没想到的是，激起一点点水花后，反而变成了一潭死水。

即便这样，之后还是会一追到底，作为给自己追剧岁月的一个交代。

终极大战引而不发——《行尸走肉第10季》

今天聊聊美剧《行尸走肉第10季》。

片名The Walking Dead Season 10 (2019)，别名行尸(港) / 阴尸路(台)。

最近几季的《行尸走肉》有一个特点，那就是需要用两季的时间讲完一组故事，主角团队都要按照先抑后扬的套路和新势力作斗争。

第7季、第8季里，瑞克团队和尼根的救世军打得你死我活，苦不堪言。

大批主角在这里领了便当，有片酬问题、上学问题的演员统统写死，死了主角还能推动剧情引一波话题，新演员又便宜又听话，何乐不为。

第9季和第10季同样是这个套路，这两季里瑞克团队变成了四镇联盟，没有一个明显的领导人物，男主角变为达里尔，可以称之为达里尔团队，甚至在尼根洗白冲挑大梁后可以叫做尼根团队。

主角们需要面对的是混迹在丧尸大潮里的低语者。

以往单独面对丧尸大潮或者面对地方性军事团伙，难度都是1，要么是丧尸的数量、要么是人类的智慧，而面对低语者的难度则是明显的1+1＞2，要在数量和智慧两个维度做考量。

你以为眼前的是普通丧尸，可以手起刀落顺利斩杀，没想到这是伪装成丧尸的低语者，被一个华丽转身反杀。

打丧尸的难度系数直线上升。

整个两季对战低语者的过程中，主角团队可谓是苦不堪言。

整个第9季高开低走就在做情绪铺垫，主角一行和观众们的情绪被压制到最低点，双方都期待着有一场酣畅淋漓的反击。

第10季在剧情方面则有了点起色，一边养精蓄锐一边厉兵秣马，嘴上不说，但行动上都在为不可避免的大战做准备。

在双方相互试探的过程中，观众们得以进一步了解阿尔法和低语者的来历。

矛盾不可调和，大战必将来临。

最终大战的主动权在低语者手中，主角团队所能做的就是尽可能的准备好迎接那必死结局。

这种心情就像一个初恋的妹子，知道男朋友回来，也知道男朋友会乱来，但还是要答应去约会……大战之前总要弄一点开胃菜。

本季中间几集两帮人马像是在王八拳乱打一通，除了打磨角色，另一个作用就是混时间。

本季第15集播出的时候已经是2020年4月5日，很不幸地是，因为疫情关系，本季播到第15集便中断了。

一方面原因是第16集特效等工作无法完成，另一方面是在全球疫情影响下，再播出充满绝望气息的末世丧尸剧的确有点会伤害某些人的感情。

气急败坏的贝塔率领丧尸大潮赶到主角团队的临时庇护地，气氛被渲染到顶点。

很明显可以看出本季并不是在第15集就会结束的，至少会有第16集给低语者篇章一个完整交待。

根据IMDB信息显示，《行尸走肉》第10季第16集要等到2020年10月4日。

观众们如果等不及的话，可以看看第16集的先导视频，说不定看完先导视频会更加心痒痒。

IMDB信息还显示本季后面多了6集，本季可能达到22集的体量，不知道会有什么样的剧情等着大家。

在前几季和第10季中大量线索表明，新势力万人联邦即将登场。

万人联邦浩浩荡荡的样子极具画面冲击感，前面离开的瑞克、玛姬甚至可能回归。

万人联邦据说已经达到3万人的庞大规模，具有完备的社会体系，武器弹药也十分充足。

在现代武器面前，丧尸根本不值一提。

可以预见的是，主角团队未来的任务将会变为如何融入新集体。

没有了丧尸威胁，矛盾将变为人与人的斗争，不过一个主打丧尸的剧不拍丧尸该如何是好。

希望这种担心不要变为现实。

疫情影响剧内剧外，终极大战引而不发。

这里是硬核影迷集散地，欢迎关注：妙看影视

第一次豆瓣发长文，竟然是为了尼根！

（捂脸、摊手）好吧，先说说我个人对尼根的看法吧。

看完整季，说心里话，我觉得编剧其实并非在洗白尼根，真的。

很多人一直在说讨厌看到尼根被洗白。

我想那可能是因为，很多弃了剧但又关注着剧，但却没有继续往下看的人，还停留在第七季第一集里对尼根的恨里面，不愿意出来而已。

仅此而已。

他们并没有真的往下看。

其实说实话，尼根真的是一个极具魅力的角色。

不管你喜欢不喜欢，他建立了人类野生基地里，战力最强的野生民间组织。

作为领袖，有勇有谋，独断专行又有些柔情，有自己坚持的原则（先不论对错），还有非常强幽默感（虽然很话唠但确实很搞笑），如果你能以客观的情感去看待尼根，会发现他极具人格魅力。

所以我觉得，尼根实在不该只是因为杀了格伦被大家记恨这么久。

为什么这么说？

来，大家想一下。

自己曾经有没有因为亨利为泡妞、精虫上脑害了山顶寨而生气？

有没有因为我最爱的卡神眼里只剩下失去亨利之后对阿尔法的仇恨、谁劝都听不进去从而陷大家于险境的行为而生气？

有没有因为精分黑子圣母摩根婊子大招一开摔晕卡神放跑狼族而是气炸？

等等等等，不胜枚举…而我们为什么会因为这些生气呢？

原因就是他们眼里只看到了自己关心的那些东西，被自己关心的东西蒙了眼睛，遮了心神，从而做出了看起来非常降智、还伤害团队的行为，这些是我们完全无法接受的。

所以一直会骂、会生气，这是一样的。

但是毕竟我们并非玛姬，也不是赫歇尔，我们是观众，是拥有上帝全视角、裸感无死角、杜比全景声的观众。

其实我们才是最应该跳出某一个角色的视角，而看到更多的、更全面的、也更广阔的视角，才不枉我们喜欢了这么久的一部剧不被刻意地贬低或者黑化。

否则，我们跟精虫上脑的亨利、仇恨熏心的卡神、圣母附体的摩根、耶稣又有什么区别呢？

毫不夸张的说，像尼根这样有血有肉、立体丰富、厚重饱满的角色，才是编剧们真正应该去深挖、观众们真正应该有所期待的角色才对！！

当然，喜欢尼根这个家伙，也并不是一蹴而就的。

好感是随着剧情的铺陈，一点一滴逐渐积累的。

我知道很多人或许不认同，但我还是要说，我喜欢尼根，已经超过了格伦…就说这么多吧，望轻骂。

The 【Walking Dead】Episode Insider: Diverged /【行尸走肉】单集解析 - 分歧仅供学习交流，请勿商用翻译：Bruce这集叫做“分歧”，名称来自于Daryl与Carol各自走上一条岔路的情形。

我们认为从“来找我”那集延伸出来之后，再挖掘一下，嗯，真的很有意思。

他们不在对方身边的时候是怎么做的？

他们都算是度过了糟糕的一天。

他们的心里都是，像是，心烦意乱。

他们对彼此的做法并不高兴，但是他们都属于那种办事能力很强的人。

所以，有点，当他们心情糟糕时，他们就把自己埋进工作里，对这种情形我非常，嗯，非常理解。

所以我不知道这种应对机制好不好，但每件事情都有点分化了。

Jerry: “你找来的这是什么？

” Carol:“哦？

这个？

额... 刚从街上捡的” Jerry: “这样哦” Carol:“我不知道。

可能有人喜欢这东西，我也正好缝补点东西，干嘛不呢？

” 我认为当Carol回到家跟Jerry谈话时，他也在思考着亚历山大社区；我真的认为在压力山大里她的感受跟看上去完全一致，她崩溃了。

她能回到原来的样子吗？

家能回到原来样子吗，她与Daryl的友谊能回到原来的样子吗？

Carol: “我知道他已经说的挺清楚了，道歉只是缓和下尴尬，这解决不了任何问题。

”在Daryl说了诸如“你只是，你只是想逃避得远远的，你不想去面对”之类的化，这也是她，她不得不强迫自己去面对。

所以她就撸起了袖子要饱餐一顿，尝试把这个地方再变成家。

构思剧本时我们有了让老鼠登场的想法，想让老鼠在不同的时间联系到不同的人和事，随后我们就兴奋地这么拍了。

这不只是一只老鼠，这老鼠象征着亚历山大所有的东西都乱套了。

Carol: “走开！

见鬼。

”她感觉像是，“好吧，如果我能消灭这只老鼠，这能表示一些事恢复正常了。

”像是，你知道，“（消灭它）或许就不用再担心老鼠吃粮食了。

”所以这的确有点实际作用，但是更能带动出的观众的想法比灭鼠本身更多。

她试图不去想她跟Daryl的别扭，所以为什么不去抓一只老鼠？

任何时候当你看到某个人拆坏房子时，都会感到有趣。

因为（在这样的情景下）我们不能做那种点面俱到铺天盖地的丧尸场景，但这仍然让我们有幸看到作为一个演员Melissa做的这么好，演绎出这令人难以置信的情绪波动。

Daryl是我们的终极生存者之之一。

他是如此，如此擅长在野外活动。

他也是一个俨然以不同方式来处理感情的帅哥，就像是有些时候他言辞激烈，但随后想着“不去想它了，还是做点自己的事儿吧。

” 所以我认为，情感上而言，他身上的气质里最对应这一集的就是，感觉像是，“我不能再想着跟Carol怄气了，我现在得回家。

”Carol: “你这是什么鬼情况？

”Daryl: “我还正想问你呢”Carol: “你知道，跟往常一样” Daryl: “我也是”他们历经风雨，只是在休憩时才展现出不同的个性来。

所以，感觉有点，我喜欢在他们之间加一点冲突。

我希望观众感受到的是，感觉像是，这两个人，他们彼此间有很深的羁绊，且你想让他们永远都是朋友，且你想让他们之间的裂痕能够痊愈，因为他们在一起相处的这么好。

我们有意地在两个视角下制造出这样的片刻：当Daryl的世界里只有Carol时，他不会这样纠结，或者会从纠结中很快走出来；当Carol的世界里只有Daryl时，她不会勉强自己做事。

Daryl: "我，额，有点累了。

我得去睡一觉，好吧。

" Carol: "好啊，我也是。

"他们都善于独处，且他们在一起是真的，真的很要好。

所以我们认为两人心底之间交汇的，是那种我们希望观众所能感受到的常伴于他们之间的那股潜流。

执行出品人/节目运行人 Angela Kang

英文原本：This episode is called "Diverge," and the title comes from the fact that Daryl and Carol each take a separate fork in the road and go their own ways. We thought it was really fun to kind of explore, um, coming off of their big fight in "Find Me." How do they do when they don't have each other? And they both kind of go through this mess of a day. They both got these sort of, like, roiling emotions. They don't feel good about where they left things, but they're also both very mission-oriented people. And so, like, when they're feeling bad, they just throw themselves into their work, which is something that I very much, um, understand. So I don't know if that's a good coping mechanism or not, but everything kind of falls apart. Jerry: What's that you got there? Carol: Oh, this? Uh... Just found it in the street. Jerry: Okay. I think when Carol comes home and she's talking to Jerry and she's thinking about Alexandria, I really think that she feels exactly the same way that Alexandria looks to her. She feels broken. Can she be put back together? Can home be put back together? Can her friendship with Daryl be put back together? Carol: I know he meant what he said. An apology is just a truce. Doesn't fix anything. It's also her, after Daryl kind of saying like, "You just -- You always just want to run away. You don't want to face it." She has to force herself to face it. So she's gonna kind of roll up her sleeves and dig in and try to make this place home again. No, I know. It's okay, buddy. It's just a rat. I know. I hear it too. I hear it, too. Hey, hey. No, no, no! No! Carol: I don't know. Somebody loved it and I just want to fix something. Why not? The idea of the rat came up in the writers room, and it sort of was attached to different people in different stories at various times. And then we wound up using it for this. Carol: Go! Damn it. It's more than just a rat. The rat is a symbol of everything that has gone wrong in Alexandria. She feels like, "Well, if I can stamp out this rat, that means some things are going to go back to normal." Like, you know, "Maybe I'm not going to have to worry about rats running through the grains." So there's definitely this, like, practical aspect of it, but it definitely starts to take up more mind space than it probably should.She's trying to keep her mind off of the fight with Daryl. So why not hunt a rat? Anytime you see somebody rip a room apart, it's kind of fun. Because we couldn't do tons and tons of walker action that's really on any kind of scope and scale, it still gives you the opportunity to see Melissa really do what she does so well as an actor, which is just show this incredible range of emotion.Daryl is one of our ultimate survivors. He is so, so good out in the wild. He's also like a guy that processes his feelings about things in a really different way, like sometimes he lashes out and then he just kind of is very "I'm not going to think about that. I'm just going to do my deal for a while." And so I think that, emotionally, that's where he is for most of this episode, is he's just kind of like, "I can't think about me fighting with Carol. I just got to get home." They go through quite a bit. It's just that there are different personalities at play. So, like, I love that we get a contrast between both of them. Carol: What the hell happened to you? Daryl: I was going to ask you the same thing. Carol: You know, the usual. Daryl: Yeah. Same.I'm hoping that what the audience feels is, like, these two, they are so tied to each other and you want them to be friends forever and you want them to kind of heal any divide that they have because they are so good together. We purposely kind of made moments in both stories where if only Carol was in Daryl's story, he wouldn't have gotten into this jam or he would have gotten out of it a little faster, and if only Daryl were in Carol's story, she wouldn't have had to do that thing by herself. Daryl: I'm, uh, kind of beat. I'm gonna hit the sack, alright? Carol: Yeah, me too. They are both really good on their own and they're both really, really good when they're together. So I think that undercurrent is something that we hope that the audience feels always with the two of them.

从2019年追到2021年，从新冠爆发前追到新冠持续一年后，这第十季应该是自己追剧时间最长的一季了（《海贼王》之类的日漫就不算了）。

中间有冬歇，又有个人生活和社会环境的诸多变化，以至于关于第十季的记忆是零零散散的，比如第16集最后从泥巴里爬出个女活人我想了半天才反应过来是失踪的哑巴女。

于是在写感想前，先翻看网友们的评论来找回点剧情记忆，结果把我逗乐了哈哈。

仅以豆瓣平台为例，网友们在每一集下面的几页讨论真的是很有意思：有反感阿尔法油腔滑调的；有被尼根圈粉的；有惋惜西迪克为卡尔抱不平的；有吐槽卡神不再、智商下线，后又惊呼卡神依旧、卡尼联手天下无敌；有骂编剧一集发糖一集喂屎的；更多的是吐槽节奏混乱、剧情拖沓、划水凑集数……虽然翻看评论的同时，确实帮助我回忆起当时追剧无比纠结的心情，但我也发现，具体写啥影评感想已经不重要了。

从2010年到2020年，10年147集（行尸宇宙玩起来吧），满满的回忆，不管后面剧情再怎么稀烂、人设再怎么崩塌，正如很多网友表示的那样，它愿播，我愿看。